Faking, forging, counterfeiting: discredited practices at the margins of mimesis
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...
Gespeichert in:
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| Weitere Verfasser: | , , , , |
| Dokumenttyp: | Konferenzschrift |
| Sprache: | Englisch |
| Veröffentlicht: |
Bielefeld
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[2018]
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| Schriftenreihe: | Culture & theory
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| Volumes / Articles: | Show Volumes / Articles. |
| DOI: | 10.1515/9783839437629 |
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| Online-Zugang: | Verlag, Volltext, Open Access, Volltext: https://www.degruyterbrill.com/isbn/9783839437629 Resolving-System, kostenfrei: https://doi.org/10.1515/9783839437629?locatt=mode:legacy Verlag, Cover, Cover: https://portal.dnb.de/opac/mvb/cover?isbn=978-3-8394-3762-9 Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783839437629/original 
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| Verfasserangaben: | Daniel Becker, Annalisa Fischer, Yola Schmitz (Eds.) in collaboration with Simone Niehoff and Florencia Sannders |
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