Faking, forging, counterfeiting: discredited practices at the margins of mimesis

Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...

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Bibliographic Details

Corporate Author:	Faking, Forging, Counterfeiting. Discredited Practices at the Margins of Mimesis, München (Author)
Other Authors:	Becker, Daniel (Editor) , Fischer, Annalisa (Editor) , Schmitz, Yola (Editor) , Niehoff, Simone (Contributor) , Sannders, Florencia (Contributor)
Format:	Conference Paper
Language:	English
Published:	Bielefeld transcript [2018]
Series:	Culture & theory
Volumes / Articles:	Show Volumes / Articles.
DOI:	10.1515/9783839437629
Subjects:	Konferenzschrift > Ludwig-Maximilians-Universität > 2015 > München Konferenzschrift > 2015 > München Ästhetik Nachahmung Plagiat Fälschung Künste
Online Access:	Verlag, Volltext, Open Access, Volltext: https://www.degruyterbrill.com/isbn/9783839437629 Resolving-System, kostenfrei: https://doi.org/10.1515/9783839437629?locatt=mode:legacy Verlag, Cover, Cover: https://portal.dnb.de/opac/mvb/cover?isbn=978-3-8394-3762-9 Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783839437629/original
Author Notes:	Daniel Becker, Annalisa Fischer, Yola Schmitz (Eds.) in collaboration with Simone Niehoff and Florencia Sannders