Writing emotions: theoretical concepts and selected case studies in literature

After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impa...

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Corporate Author: Symposium Writing Emotions. Literature as Practice (19th to 21st Century), Graz (Author)
Other Authors: Jandl-Konrad, Ingeborg (Editor) , Knaller, Susanne (Editor) , Schönfellner, Sabine (Editor) , Tockner, Gudrun (Editor)
Format: Conference Paper
Language:English
Published: Bielefeld transcript 2017
Series:Lettre
Volumes / Articles: Show Volumes / Articles.
DOI:10.1515/9783839437933
Subjects:
Online Access:Resolving-System, kostenfrei: https://doi.org/10.1515/9783839437933?locatt=mode:legacy
Verlag, Open Access: https://www.degruyterbrill.com/isbn/9783839437933
Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783839437933/original
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Author Notes:Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner (eds.)

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505 8 0 |t Frontmatter -- ; Contents -- ; Preface -- ; Writing Emotions/Reading Emotions -- ; Emotions and the Process of Writing  |r Knaller, Susanne -- 
505 8 0 |t The Affective Value of Fiction Presenting and Evoking Emotions  |r Nünning, Vera -- 
505 8 0 |t The Author – “Specialize[d] in Having Fun”? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič  |r Schiewer, Gesine Lenore -- 
505 8 0 |t Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James  |r Locatelli, Angela -- 
505 8 0 |t Emotions Mediated -- ; Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions  |r Jandl, Ingeborg -- 
505 8 0 |t Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner’s Novel The Flamethrowers  |r Berning, Nora -- 
505 8 0 |t “[…] which approximates ‘I love you’.” Jonathan Safran Foer’s Punctuation of Emotions  |r Grillmayr, Julia -- 
505 8 0 |t Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower  |r Dücker, Marie -- 
505 8 0 |t The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond  |r Jandl, Silke -- 
505 8 0 |t Emotions on Stage and in Literary Texts -- ; “’Tis Magic, Magic that Hath Ravished Me” Passionate Conjuring in Doctor Faustus and The Devil’s Charter  |r Tockner, Gudrun -- 
505 8 0 |t Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama  |r Stelzer, Emanuel -- 
505 8 0 |t When the Author Is Not the Author of Passions J.J. Engel’s Herr Lorenz Stark and the Pathognomy of Style  |r Marfutova, Yulia -- 
505 8 0 |t How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe’s “The Fall of the House of Usher”  |r Lyytikäinen, Pirjo -- 
505 8 0 |t Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île  |r Schönfellner, Sabine -- 
505 8 0 |t Writing Wounds -- ; Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola’s Nana  |r Rossi, Riikka -- 
505 8 0 |t Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame  |r Nykänen, Elise -- 
505 8 0 |t Hiding One’s Feelings ‘Emotionless’ Rhetoric in Raul Hilberg’s The Destruction of the European Jews and Peter Weiss’s Die Ermittlung  |r Vanassche, Tom -- 
505 8 0 |t Love under Threat The Emotional Valences of the Twilight Saga  |r Pyrhönen, Heta -- 
505 8 0 |t AUTHORS 
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520 |a After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer 
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546 |a In English 
650 0 |a Literature 
650 0 |a Literature  |x History and criticism  |v Congresses 
650 0 |a Emotions in literature 
650 0 |a Literature  |x History and criticism  |x Case studies  |v Congresses 
650 0 |a Emotions in literature  |v Congresses 
650 0 |a Literature, Modern 
650 4 |a LITERARY CRITICISM / General 
650 4 |a Literature 
650 4 |a Practice 
650 4 |a HISTORY / Social History 
650 4 |a Aesthetic 
650 4 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh 
650 4 |a General Literature Studies 
650 4 |a ART / Criticism & Theory 
650 4 |a British Studies 
650 4 |a German Literature 
650 4 |a Writing 
650 4 |a Romance Studies 
650 4 |a Emotion 
650 4 |a Literary Studies 
650 4 |a Emotion, Emotion, Literature, Literature, Writing, Writing, Practice, Practice, Aesthetic, Aesthetic, General Literature Studies, General Literature Studies, British Studies, British Studies, German Literature, German Literature, Romance Studies, Romance Studies, Literary Studies, Literary Studies 
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