(Dis-)playing 'Mahjong': Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary art
Saved in:
| Main Author: | |
|---|---|
| Format: | Chapter/Article Conference Paper |
| Language: | English |
| Published: |
2012
|
| In: |
Negotiating difference
Year: 2012, Pages: 299-316 |
| Subjects: | |
| Online Access: |
|
| Author Notes: | Franziska Koch |
MARC
| LEADER | 00000caa a22000002c 4500 | ||
|---|---|---|---|
| 001 | 1577840372 | ||
| 003 | DE-627 | ||
| 005 | 20220814195830.0 | ||
| 007 | tu | ||
| 008 | 180723s2012 xx ||||| 00| ||eng c | ||
| 035 | |a (DE-627)1577840372 | ||
| 035 | |a (DE-576)507840372 | ||
| 035 | |a (DE-599)BSZ507840372 | ||
| 035 | |a (OCoLC)1341014283 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 46 |2 sdnb | ||
| 100 | 1 | |a Koch, Franziska |d 1976- |e VerfasserIn |0 (DE-588)14141667X |0 (DE-627)627302629 |0 (DE-576)271855711 |4 aut | |
| 245 | 1 | 0 | |a (Dis-)playing 'Mahjong' |b Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary art |c Franziska Koch |
| 264 | 1 | |c 2012 | |
| 300 | |a 18 | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 655 | 7 | |a Konferenzschrift |0 (DE-588)1071861417 |0 (DE-627)826484824 |0 (DE-576)433375485 |2 gnd-content | |
| 773 | 0 | 8 | |i Enthalten in |t Negotiating difference |d Weimar : VDG, 2012 |g (2012), Seite 299-316 |h 374 S |w (DE-627)662186176 |w (DE-576)34708981X |z 9783897397170 |7 nnam |a (Dis-)playing 'Mahjong' Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary art |
| 773 | 1 | 8 | |g year:2012 |g pages:299-316 |g extent:18 |a (Dis-)playing 'Mahjong' Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary art |
| 951 | |a AR | ||
| 992 | |a 20180723 | ||
| 993 | |a ConferencePaper | ||
| 994 | |a 2012 | ||
| 998 | |g 14141667X |a Koch, Franziska |m 14141667X:Koch, Franziska |d 700000 |d 719000 |e 700000PK14141667X |e 719000PK14141667X |k 0/700000/ |k 1/700000/719000/ |p 1 |x j |y j | ||
| 999 | |a KXP-PPN1577840372 |e 3019354781 | ||
| BIB | |a Y | ||
| JSO | |a {"type":{"bibl":"chapter"},"physDesc":[{"extent":"18 S."}],"recId":"1577840372","language":["eng"],"relHost":[{"person":[{"given":"Birgit","family":"Hopfener","role":"edt","roleDisplay":"Hrsg.","display":"Hopfener, Birgit"},{"given":"Franziska","family":"Koch","role":"oth","display":"Koch, Franziska"},{"display":"Lee-Kalisch, Jeong-hee","role":"oth","family":"Lee-Kalisch","given":"Jeong-hee"},{"family":"Noth","given":"Juliane","display":"Noth, Juliane","role":"oth"}],"title":[{"subtitle":"contemporary Chinese art in the global context","title":"Negotiating difference","title_sort":"Negotiating difference"}],"language":["eng"],"recId":"662186176","type":{"bibl":"edited-book"},"disp":"(Dis-)playing 'Mahjong' Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary artNegotiating difference","part":{"year":"2012","pages":"299-316","text":"(2012), Seite 299-316","extent":"18"},"name":{"displayForm":["ed. by Birgit Hopfener, Franziska Koch, Jeong-hee Lee-Kalisch, Juliane Noth"]},"id":{"isbn":["9783897397170"],"eki":["662186176"]},"origin":[{"publisher":"VDG","dateIssuedKey":"2012","dateIssuedDisp":"2012","publisherPlace":"Weimar"}],"physDesc":[{"noteFormat":"24 x 18 cm","extent":"374 S","noteIll":"zahlr. Ill"}]}],"title":[{"subtitle":"Uli Sigg and the power of private collectors in the global canonization of Chinese contemporary art","title":"(Dis-)playing 'Mahjong'","title_sort":"(Dis-)playing 'Mahjong'"}],"origin":[{"dateIssuedDisp":"2012","dateIssuedKey":"2012"}],"id":{"eki":["1577840372"]},"name":{"displayForm":["Franziska Koch"]},"person":[{"given":"Franziska","family":"Koch","role":"aut","roleDisplay":"VerfasserIn","display":"Koch, Franziska"}]} | ||
| SRT | |a KOCHFRANZIDISPLAYING2012 | ||