Performing the Gospel: orality, memory, and Mark; essays dedicated to Werner Kelber
This ground-breaking volume gathers the best new work in Gospel's criticism centered on how the Gospels actually came to be: through oral tradition, story performance, and cultural memory. The contributors include: John Miles Foley, Martin Jaffee, Jonathan A. Draper, Ellen Aitken, Holly Hearon,...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Dokumenttyp: | Edited Volume Festschrift |
| Sprache: | Englisch |
| Veröffentlicht: |
Minneapolis, Minn.
Fortress Press
2006
Minneapolis 2006 |
| Volumes / Articles: | Show Volumes / Articles. |
| Schlagworte: | |
| Online-Zugang: | Verlag, Rezension: https://swbplus.bsz-bw.de/bsz252908503rez.htm Verlag, Cover, Cover: http://ec1.images-amazon.com/images/P/080063828X.01._SCMZZZZZZZ_V66862392_.jpg Verlag, Inhaltsverzeichnis: http://www.loc.gov/catdir/toc/ecip065/2005037888.html 
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| Verfasserangaben: | edited by Richard A. Horsley ... |
MARC
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| 245 | 0 | 0 | |a Performing the Gospel |b orality, memory, and Mark; essays dedicated to Werner Kelber |c edited by Richard A. Horsley ... |
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| 500 | |a Includes bibliographical references. - Festschrift Werner Kelber | ||
| 505 | 8 | 0 | |t The implications of orality for studies of the biblical text |r Holly E. Hearon |
| 505 | 8 | |a Theimplications of orality for studies of the biblical text /Holly E. Hearon --Gender and otherness in rabbinic oral culture: on Gentiles, undisciplined Jews, and their women /Martin S. Jaffee --Many voices, one script: the prophecies of George Khambule /Jonathan A. Draper --Form as a mnemonic device: cultural texts and cultural memory /Jan Assmann --Memory in oral tradition /John Miles Foley --Tradition in the mouth of the hero: Jesus as an interpreter of Scripture /Ellen Bradshaw Aitken --Jesus and the canon : the early Jesus traditions in the context of the origins of the New Testament canon /Jens Schröter --Interfaces of orality and literacy in the Gospel of Mark /Vernon K. Robbins --Memory, technology, and the composition of Mark /Whitney Shiner --Aprophet like Moses and Elijah: popular memory and cultural patterns in Mark /Richard A. Horsley. | |
| 505 | 8 | 0 | |t Gender and otherness in rabbinic oral culture: on Gentiles, undisciplined Jews, and their women |r Martin S. Jaffee |
| 505 | 8 | 0 | |t Many voices, one script: the prophecies of George Khambule |r Jonathan A. Draper |
| 505 | 8 | 0 | |t Form as a mnemonic device: cultural texts and cultural memory |r Jan Assmann |
| 505 | 8 | 0 | |t Memory in oral tradition |r John Miles Foley |
| 505 | 8 | 0 | |t Tradition in the mouth of the hero: Jesus as an interpreter of Scripture |r Ellen Bradshaw Aitken |
| 505 | 8 | 0 | |t Jesus and the canon : the early Jesus traditions in the context of the origins of the New Testament canon |r Jens Schröter |
| 505 | 8 | 0 | |t Interfaces of orality and literacy in the Gospel of Mark |r Vernon K. Robbins |
| 505 | 8 | 0 | |t Memory, technology, and the composition of Mark |r Whitney Shiner |
| 505 | 8 | 0 | |t A prophet like Moses and Elijah: popular memory and cultural patterns in Mark |r Richard A. Horsley. |
| 520 | |a This ground-breaking volume gathers the best new work in Gospel's criticism centered on how the Gospels actually came to be: through oral tradition, story performance, and cultural memory. The contributors include: John Miles Foley, Martin Jaffee, Jonathan A. Draper, Ellen Aitken, Holly Hearon, Vernon K. Robbins, Whitney Shiner, Jan Assmann, Jens Schroeter, and Richard A. Horsley. | ||
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