'Archaeologizing' heritage?: Transcultural entanglements between local social practices and global virtual realities
This book investigates what has constituted notions of "archaeological heritage" from colonial times to the present. It includes case studies of sites in South and Southeast Asia with a special focus on Angkor, Cambodia. The contributions, the subjects of which range from architectural and...
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| Other Authors: | , |
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| Format: | Conference Paper |
| Language: | English |
| Published: |
Berlin, Heidelberg
Springer
2013
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| Series: | Transcultural Research – Heidelberg Studies on Asia and Europe in a Global Context
SpringerLink Bücher |
| Volumes / Articles: | Show Volumes / Articles. |
| DOI: | 10.1007/978-3-642-35870-8 |
| Subjects: | |
| Online Access: | Verlag, Volltext: https://doi.org/10.1007/978-3-642-35870-8 Resolving-System, Volltext: http://dx.doi.org/10.1007/978-3-642-35870-8 Cover: https://swbplus.bsz-bw.de/bsz386843007cov.jpg Verlag, Inhaltstext: http://deposit.dnb.de/cgi-bin/dokserv?id=4198061&prov=M&dok_var=1&dok_ext=htm 
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| Author Notes: | edited by Michael Falser, Monica Juneja |
Table of Contents:
- Preface; Contents; `Archaeologizing´ Heritage and Transcultural Entanglements: An Introduction; Theoretical Preliminaries; An Introduction to the Contributions in this Volume; References; Part I: Archaeologizing Heritage I: India Between the Manual and the Picturesque; A Conservation Code for the Colony: John Marshall´s Conservation Manual and Monument Preservation Between India and Europe; Birth of a Colonial Conservation Code; The Colonial Setting of a Victorian Debate; Universal Heritage, Local Rules; References; Picturesque Authenticity in Early Archaeological Photography in British India
- Archaeology and Early Photography in British IndiaPhotography Finds Its Way into Early Conservation Principles for Indian Monuments; Archaeologizing the Picturesque in Eighteenth-Century Paintings; Principles of Picturesque Beauty; Archaeology and the Search for Truth Through Photography; Capturing Indian Architecture and Landscape Through the Prism of British Photographers´ Lenses; The Picturesque Authenticity of Ruins; Conclusion; References; Part II: Archaeologizing Heritage II: Creating Visual and Spatial Experiences of Angkor
- Virtual Visions of Angkor: Plaster Casts and Drawings in the Indochinese Museum of the Trocadero Palace in ParisExploring the Mekong: Delaporte and the Drawings of Angkor; A Museum of Angkor in France; Originals and Plaster Casts of Angkor: World Exhibitions and the Musée Indochinois du Trocadéro; Visions of Angkor; References; From Colonial Map to Visitor´s Parcours: Tourist Guides and the Spatiotemporal Making of the Archaeological Park of Angkor; On Spatial and Topographical Turns and Tourist Guides in Colonial Contexts
- The Historic Context of the Spatiotemporal Figuration of the Angkor ParkUndefined Conventions (1900-1909); Early Vulgarization (1909-1913); Mechanization and New Dimensions (1920s-1930s); Standardization (1940s-1950s); Final Remarks; References; Part III: Virtualizing Heritage I: The Surface and the Image; Reality-Based Virtual Models in Cultural Heritage; Introduction; Products and Main Applications; Object Recording and Modelling of Cultural Heritage; Some Key Issues in 3D Modelling; Examples; Tucume, Peru: 3D Reconstruction of Adobe Architecture Using Old Images
- Bamiyan, Afghanistan: 3D Modelling of Natural and Cultural Heritage with Multiple SensorsThe `Weary Herakles,´ Antalya, Turkey: Object Scanning with Structured Light Systems; Conclusions; References; 3D Modelling of the Temples of Angkor Based on Religious Conceptions; Introduction; Related Works; Methodology; Abstract Geometry and Combinatorial Constraints; Algorithm; Proportions of Modules; Software Development; Results and Conclusion; References; Part IV: Virtualizing Heritage II: Computer Models for Building Research
- The Giant Buddha Figures in Afghanistan: Virtual Reality for a Physical Reconstruction?