Self, world, and art: metaphysical topics in Kant and Hegel
Biographical note: Dina Emundts, University ofKonstanz.
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| Format: | Conference Paper |
| Language: | English |
| Published: |
Berlin Boston
De Gruyter
[2013]
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| Volumes / Articles: | Show Volumes / Articles. |
| DOI: | 10.1515/9783110290813 |
| Subjects: | |
| Online Access: | Resolving-System, lizenzpflichtig, Volltext: https://doi.org/10.1515/9783110290813 Verlag, Volltext: http://dx.doi.org/10.1515/9783110290813 Verlag, lizenzpflichtig: https://www.degruyterbrill.com/isbn/9783110290813 Cover: https://www.degruyterbrill.com/doc/cover/9783110290813.jpg Verlag, Cover: https://www.degruyterbrill.com/cover/covers/9783110290813.jpg Verlag, Inhaltsverzeichnis: http://d-nb.info/1026714044/04 Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783110290813/original |
| Author Notes: | edited by Dina Emundts |
Table of Contents:
- Introduction; Einleitung; Propositional Activity in Kant and Hegel; Judgement, Self-Consciousness, Idealism; Kant über Selbstbewusstsein; The Copernican Turn and Stroud's Argument from Indispensability; Kant and Hegel on the Moral Self; The Appearance of Spontaneity Kant on Judgment and Empirical Self-Knowledge; Kant and the Spontaneity of the Understanding; Concept Formation, Synthesis and Judgment. Kant's Theory of the Logical and Cognitive Activities of the Mind; Grenzen der Erkenntnis?; Dinge an sich und der Außenweltskeptizismus Über ein Missverständnis der frühen Kant-Rezeption
- Ogilby, Milton, Canary Wine, and the Red Scorpion Another look at Kant's Deduction of TasteThe End of Art and the Interpretation of Geist; Metaphysik bei Hegel oder analytische, synthetische und hermeneutische Philosophie; Spatial Dimensions, the From-Which, and the At-Which; Index of Names