Die "chinesische Avantgarde" und das Dispositiv der Ausstellung: Konstruktionen chinesischer Gegenwartskunst im Spannungsfeld der Globalisierung
Since the 1990s, the reception of contemporary Chinese art in the exhibition format has risen sharply. Exhibitions coined the label »Chinese avant-garde« and enabled a new global dimension of interaction with art production in China. From a transcultural perspective, Franziska Koch answers the quest...
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| Main Author: | |
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| Format: | Book/Monograph Thesis |
| Language: | German |
| Published: |
Bielefeld
transcript-Verlag
[2016]
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| Series: | Image
65 |
| In: |
Image (65)
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| Subjects: | |
| Online Access: | Verlag, lizenzpflichtig: https://www.degruyterbrill.com/isbn/9783839426173 Verlag, Cover: http://www.degruyterbrill.com/doc/cover/9783839426173.jpg Cover: https://www.degruyterbrill.com/doc/cover/9783839426173.jpg Verlag, Cover: https://www.degruyterbrill.com/cover/covers/9783839426173.jpg Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783839426173/original 
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| Author Notes: | Franziska Koch |
