Xu Bing: beyond the Book from the Sky
Acknowledgements -- Introduction -- Reactivating the Tradition -- In Dialogue with Xu Bing -- Audience Participation in Xu Bing’s Works -- Revisiting Ink Art -- Art as Mellorism -- Xu Bing’s Phoenix: An Aesthetic Image of Labor -- Two-dimensional Space: Reconsidering Chinese Conceptualism in the 198...
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| Other Authors: | , |
|---|---|
| Format: | Edited Volume |
| Language: | English |
| Published: |
Singapore
Springer Singapore
2020
Singapore Imprint: Springer 2020 |
| Edition: | 1st ed. 2020 |
| Series: | Chinese Contemporary Art Series
Springer eBook Collection |
| Volumes / Articles: | Show Volumes / Articles. |
| DOI: | 10.1007/978-981-15-3064-7 |
| Subjects: | |
| Online Access: | Resolving-System, lizenzpflichtig: https://doi.org/10.1007/978-981-15-3064-7 Cover: https://swbplus.bsz-bw.de/bsz1726041107cov.jpg 
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| Author Notes: | edited by Sarah E. Fraser, Yu-Chieh Li |
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| 520 | |a Acknowledgements -- Introduction -- Reactivating the Tradition -- In Dialogue with Xu Bing -- Audience Participation in Xu Bing’s Works -- Revisiting Ink Art -- Art as Mellorism -- Xu Bing’s Phoenix: An Aesthetic Image of Labor -- Two-dimensional Space: Reconsidering Chinese Conceptualism in the 1980’s -- Thirty Years of Art Criticism on Xu Bing -- The Great Wall of Digital Language: Juxtaposing Tradition and Modernity in Chinese Contemporary Art -- From Small Woodcuts to Experimental Printmaking: Xu Bing in the 1980’s -- Breaking Through ‘Realism:’ On Xu Bing’s Art -- Xu Bing as Landscapist -- Revisiting the Media of Chinese ‘Avant-garde’ in the 1980’s -- Xu Bing’s Background Story Series -- A Global Map of Xu Bing’s Exhibition History 1985-2015 -- A Global Chronicle of Contemporary Chinese Art 1985-2015. . | ||
| 520 | |a This volume offers a path-breaking reassessment of Xu Bing’s oeuvre by analyzing the diverse cultural environments in which his work has developed since the Book from the Sky. It contains three lecture transcripts and eight art historical essays; these explore themes such as Xu’s animal works, audience participation, new ink, prints, realism, socialist spectacle, and word play. A critical question addressed in this volume is what carries art to a global level beyond regional histories and cultural symbols. Absorbing critical essays on contemporary Chinese aesthetics addressing the social context and philosophical concerns that underlie Xu Bing’s key works. The authors analyze Xu’s art, shedding light on the tangled history of socialism and neoliberalism in the Post-Mao period. --Prof. Dr. Lothar Ledderose, Senior Professor, Institute of East Asian Art, Universität Heidelberg. | ||
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