21st century retro: Mad Men and 1960s America in film and television
Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples f...
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| Main Author: | |
|---|---|
| Format: | Book/Monograph Thesis |
| Language: | English |
| Published: |
Bielefeld
transcript
[2021]
|
| Series: | American culture studies
volume 32 |
| In: |
American culture studies (volume 32)
|
| Subjects: | |
| Online Access: | Verlag, Cover: https://portal.dnb.de/opac/mvb/cover?isbn=978-3-8376-5721-0 Verlag, Inhaltsverzeichnis: https://d-nb.info/1229454896/04 |
| Author Notes: | Debarchana Baruah |
MARC
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| 520 | |a Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men. | ||
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