21st Century Retro: Mad Men and 1960s America in film and television
Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I -- Chapter 1: Retro -- Chapter 2: History in Retros -- Part II -- Chapter 3: Television Memories and Intertextualities in Mad Men -- Chapter 4: Mad Men and its Paratexts -- Part III -- Chapter 5: The Mad Men Network -- Conclusion...
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| Main Author: | |
|---|---|
| Format: | Book/Monograph Thesis |
| Language: | English |
| Published: |
Bielefeld
transcript-Verlag
[2021]
|
| Series: | American culture studies
volume 32 |
| In: |
American culture studies (volume 32)
|
| DOI: | 10.1515/9783839457214 |
| Subjects: | |
| Online Access: | Verlag, lizenzpflichtig: https://www.degruyterbrill.com/isbn/9783839457214 Resolving-System, lizenzpflichtig: https://doi.org/10.1515/9783839457214?locatt=mode:legacy Verlag, Cover: https://www.degruyterbrill.com/cover/covers/9783839457214.jpg Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783839457214/original 
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| Author Notes: | Debarchana Baruah |
MARC
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| 520 | |a Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I -- Chapter 1: Retro -- Chapter 2: History in Retros -- Part II -- Chapter 3: Television Memories and Intertextualities in Mad Men -- Chapter 4: Mad Men and its Paratexts -- Part III -- Chapter 5: The Mad Men Network -- Conclusion -- List of Mad Men Episodes Cited -- Works Cited | ||
| 520 | |a Numerous contemporary televisual productions revisit the 1960s but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositionist style invites discussion from scholars of various fields, as well as those who are simply fans of history or of Mad Men | ||
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