Winkler, D. (2017). A Mediterranean gap in the national canon?: Paul Carpita’s anti-colonial cinema between militant amateurism and New Wave. Studies in French cinema, 17(1), . https://doi.org/10.1080/14715880.2016.1266849
Chicago Style (17th ed.) CitationWinkler, Daniel. "A Mediterranean Gap in the National Canon?: Paul Carpita’s Anti-colonial Cinema Between Militant Amateurism and New Wave." Studies in French Cinema 17, no. 1 (2017). https://doi.org/10.1080/14715880.2016.1266849.
MLA (9th ed.) CitationWinkler, Daniel. "A Mediterranean Gap in the National Canon?: Paul Carpita’s Anti-colonial Cinema Between Militant Amateurism and New Wave." Studies in French Cinema, vol. 17, no. 1, 2017, https://doi.org/10.1080/14715880.2016.1266849.
Warning: These citations may not always be 100% accurate.