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A Mediterranean gap in the national canon?: Paul Carpita’s anti-colonial cinema between militant amateurism and New Wave

A new Marseille cinema, focusing on the city’s everyday culture, emerged in the 1980s with directors such as René Allio and Robert Guédiguian. Even though some of their films received considerable recognition, an important part of the history of this cinematic representation has remained largely u...

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1. Verfasser: Winkler, Daniel (VerfasserIn)
Dokumenttyp: Article (Journal)
Sprache:Englisch
Veröffentlicht: 2017
In: Studies in French cinema
Year: 2017, Jahrgang: 17, Heft: 1, Pages: 21-43
ISSN:1758-9517
DOI:10.1080/14715880.2016.1266849
Online-Zugang:Verlag, lizenzpflichtig, Volltext: https://doi.org/10.1080/14715880.2016.1266849
Verlag, lizenzpflichtig, Volltext: http://www.redi-bw.de/db/ebsco.php/search.ebscohost.com/login.aspx%3fdirect%3dtrue%26db%3da9h%26AN%3d121166787%26site%3dehost-live
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Verfasserangaben:Daniel Winkler

MARC

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