Can art history be made global?: meditations from the periphery
Die Monografie stellt sich der Herausforderungen des „global turns“ in den Geisteswissenschaften aus der Perspektive der Kunstgeschichte. Eine globale Kunstgeschichte, so argumentiert sie, muss weder der Logik ökonomischer Globalisierung folgen, noch muss sie darauf abzielen, die gesamte Welt allum...
Gespeichert in:
| 1. Verfasser: | |
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| Dokumenttyp: | Book/Monograph |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin Boston
De Gruyter
[2023]
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| DOI: | 10.1515/9783111217062 |
| Schlagworte: | |
| Online-Zugang: | Resolving-System, lizenzpflichtig: https://doi.org/10.1515/9783111217062 Verlag, lizenzpflichtig: https://www.degruyterbrill.com/isbn/9783111217062 Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783111217062/original 
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| Verfasserangaben: | Monica Juneja |
MARC
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| 245 | 1 | 0 | |a Can art history be made global? |b meditations from the periphery |c Monica Juneja |
| 264 | 1 | |a Berlin |a Boston |b De Gruyter |c [2023] | |
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| 505 | 8 | 0 | |t Frontmatter |
| 505 | 8 | 0 | |t CONTENTS |
| 505 | 8 | 0 | |t ACKNOWLEDGEMENTS |
| 505 | 8 | 0 | |t INTRODUCTION CAN ART HISTORY BE MADE GLOBAL? |
| 505 | 8 | 0 | |t CHAPTER ONE THE WORLD IN A GRAIN OF SAND A Genealogy of World Art Studies |
| 505 | 8 | 0 | |t CHAPTER TWO MAKING AND SEEING IMAGES Tracking the Routes of Vision in Early Modern Eurasia |
| 505 | 8 | 0 | |t Plates I |
| 505 | 8 | 0 | |t CHAPTER THREE TRAVERSING SCALE(S) Transcultural Modernism with and Beyond the Nation |
| 505 | 8 | 0 | |t CHAPTER FOUR BEYOND BACKWATER ARCADIAS Globalised Locality and Contemporary Art Practice |
| 505 | 8 | 0 | |t CHAPTER FIVE WHEN ART EMBRACES THE PLANET The Contemporary Exhibition Form and the Challenge of Connected Histories |
| 505 | 8 | 0 | |t POSTSCRIPT THE HUNTER AND THE SQUIRREL Art History from the Global to the Planetary |
| 505 | 8 | 0 | |t Plates II |
| 505 | 8 | 0 | |t BIBLIOGRAPHY |
| 505 | 8 | 0 | |t LIST OF ILLUSTRATIONS |
| 505 | 8 | 0 | |t INDEX |
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| 520 | |a Die Monografie stellt sich der Herausforderungen des „global turns“ in den Geisteswissenschaften aus der Perspektive der Kunstgeschichte. Eine globale Kunstgeschichte, so argumentiert sie, muss weder der Logik ökonomischer Globalisierung folgen, noch muss sie darauf abzielen, die gesamte Welt allumfassend zu erzählen. Stattdessen zieht sie eine Theorie der Transkulturation heran, um die Schlüsselmomente einer Kunstgeschichte zu erkunden, die nicht länger über eine oberflächliche Globalität erreicht werden kann. Wie kann die kunsthistorische Analyse Beziehungen von Konnektivität theoretisieren, die Kulturen und Regionen über Entfernungen hinweg gekennzeichnet haben? Wie kann sie auf sinnvolle Weise Fragen der Kommensurabilität oder deren Abwesenheit unter Kulturen behandeln? Durch die Verlagerung des Forschungsschwerpunkts der Untersuchung auf Südasien sollen die fünf Betrachtungen, die das Buch umfasst, intellektuelle Ressourcen und Erkenntnisse regionaler Erfahrungen jenseits von Euro-Amerika in eine global verständliche Analyse überführt werden | ||
| 520 | |a The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses | ||
| 530 | |a Issued also in print | ||
| 533 | |a Reproduktion |n Issued also in print | ||
| 546 | |a In English | ||
| 650 | 0 | |a Art |x History | |
| 650 | 0 | |a Art |z South Asia |x History | |
| 650 | 0 | |a Art-History | |
| 650 | 0 | |a Art and globalization | |
| 650 | 4 | |a ART / General | |
| 650 | 4 | |a ART / History / General | |
| 650 | 4 | |a HISTORY / Asia / India & South Asia | |
| 650 | 4 | |a HISTORY / World | |
| 650 | 4 | |a SOCIAL SCIENCE / Regional Studies | |
| 650 | 4 | |a Global Art | |
| 650 | 4 | |a Kunstgeschichte | |
| 650 | 4 | |a Wissenschaftsgeschichte | |
| 650 | 4 | |a Global Turn | |
| 650 | 4 | |a Transkulturalität | |
| 650 | 4 | |a Indien | |
| 650 | 4 | |a Global art | |
| 650 | 4 | |a global turn | |
| 650 | 4 | |a art history | |
| 650 | 4 | |a India | |
| 650 | 4 | |a South Asia | |
| 650 | 4 | |a transcultural studies | |
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| 653 | |a Global art, global turn, art history, India, South Asia, transcultural studies, history of science | ||
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