Can art history be made global?: meditations from the periphery
Die Monografie stellt sich der Herausforderungen des „global turns“ in den Geisteswissenschaften aus der Perspektive der Kunstgeschichte. Eine globale Kunstgeschichte, so argumentiert sie, muss weder der Logik ökonomischer Globalisierung folgen, noch muss sie darauf abzielen, die gesamte Welt allum...
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| Format: | Book/Monograph |
| Language: | English |
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Berlin Boston
De Gruyter
[2023]
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| DOI: | 10.1515/9783111217062 |
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| Online Access: | Resolving-System, lizenzpflichtig: https://doi.org/10.1515/9783111217062 Verlag, lizenzpflichtig: https://www.degruyterbrill.com/isbn/9783111217062 Verlag, Cover: https://www.degruyterbrill.com/document/cover/isbn/9783111217062/original 
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| Author Notes: | Monica Juneja |
Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION CAN ART HISTORY BE MADE GLOBAL?
- CHAPTER ONE THE WORLD IN A GRAIN OF SAND A Genealogy of World Art Studies
- CHAPTER TWO MAKING AND SEEING IMAGES Tracking the Routes of Vision in Early Modern Eurasia
- Plates I
- CHAPTER THREE TRAVERSING SCALE(S) Transcultural Modernism with and Beyond the Nation
- CHAPTER FOUR BEYOND BACKWATER ARCADIAS Globalised Locality and Contemporary Art Practice
- CHAPTER FIVE WHEN ART EMBRACES THE PLANET The Contemporary Exhibition Form and the Challenge of Connected Histories
- POSTSCRIPT THE HUNTER AND THE SQUIRREL Art History from the Global to the Planetary
- Plates II
- BIBLIOGRAPHY
- LIST OF ILLUSTRATIONS
- INDEX