From script to language: the three identities of ‘Arabic-Tamil’

Since at least the eighteenth century, Muslims in southern India and Sri Lanka have been employing the Arabic script to record Tamil texts. Popularly known as ‘Arabic-Tamil’ or ‘Arwi’, this practice has been evaluated in widely divergent manners. While to some, ‘Arabic-Tamil’ is primarily a term res...

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Bibliographic Details
Main Author: Tschacher, Torsten (Author)
Format: Article (Journal)
Language:English
Published: 2018
In: South Asian history and culture
Year: 2018, Volume: 9, Issue: 1, Pages: 16-37
ISSN:1947-2501
DOI:10.1080/19472498.2017.1411052
Online Access:Verlag, lizenzpflichtig, Volltext: https://doi.org/10.1080/19472498.2017.1411052
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Author Notes:Torsten Tschacher

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520 |a Since at least the eighteenth century, Muslims in southern India and Sri Lanka have been employing the Arabic script to record Tamil texts. Popularly known as ‘Arabic-Tamil’ or ‘Arwi’, this practice has been evaluated in widely divergent manners. While to some, ‘Arabic-Tamil’ is primarily a term reserved for the use of the Arabic script to record Tamil, others perceive it as a different style of Tamil, or even as a completely separate language. Whereas Tamil nationalist discourse has identified ‘Arabic-Tamil’ as a danger to the unity of the Tamil nation, some Muslims celebrate it as the symbol of a separate identity, while yet others lament that ‘Arabic-Tamil’ fails to provide a clean break with Tamil as used by non-Muslims. Even more puzzling is the fact that before the twentieth century, most ‘Arabic-Tamil’ records fail to identify themselves as anything else but ‘Tamil’. This article traces complex histories attaching to the idea of ‘Arabic-Tamil’ to uncover the historical situated-ness of the term and show how it has been linked to political discourses and processes of identity formation throughout the twentieth and twenty-first centuries. 
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