Art and modernism in socialist China: unexplored international encounters 1949-1979
"This edited volume will be the first book examining the art history of China's socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifti...
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Book/Monograph |
| Language: | English |
| Published: |
New York London
Routledge
2024
|
| Series: | Routledge Research in Art History
|
| Volumes / Articles: | Show Volumes / Articles. |
| Subjects: | |
| Online Access: | Verlag, Cover: https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738313033323538353239317C7C434F50.jpg?sq=1
|
| Author Notes: | Edited by Shuyu Kong, Julia F. Andrews, and Shengtian Zheng |
Table of Contents:
- Introduction Part I: Art Exchanges 1. Chile, China, Cuba: A Mural and Beyond 2.Realism or Modernism? Exhibitions of SesshÅ" and Sino-Japanese Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in 1962: Misalignments Impacting the Romanian Painting Class in China 4. A Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic Exchanges 6. The Politics of Landscape Painting: Three International Art Exhibitions in 1970s China Part II: Alternative Practices 7. Creating A New Era in the Twentieth Century : Huang Binhong (1865-1955) and Modern Art during the Cold War 8.Tan Huamus Pictorial Diaries in the Era of the New China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese Modernism in the 1960s 12. The Romanian Oil Painting Training Class and Modernist Undercurrents in Chinese Art Education of the Socialist Period Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal OR: The Making of a Maoist Modern