European literatures of military occupation: shared experience, shifting boundaries, and aesthetic affections
What does it mean to live under occupation? How does it shape the culture and identities of European nations? How does it affect the way we write and read literature? These are fundamental questions that set the stage for an in-depth exploration. Focusing on the literary works of writers from variou...
Gespeichert in:
| Weitere Verfasser: | , |
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| Dokumenttyp: | Sammelband |
| Sprache: | Englisch |
| Veröffentlicht: |
Leuven
Leuven University Press
2024
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| Volumes / Articles: | Show Volumes / Articles. |
| Schlagworte: | |
| Online-Zugang: | Verlag, kostenfrei: https://directory.doabooks.org/handle/20.500.12854/138904 Verlag, Volltext, kostenfrei, Volltext: https://library.oapen.org/bitstream/20.500.12657/90966/1/9789461665546.pdf Verlag, Cover: https://lup.be/wp-content/uploads/2024/06/jpg_rgb_original-6-scaled-wpv_320x0.jpg 
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| Verfasserangaben: | edited by Matthias Buschmeier and Jeanne E. Glesener |
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| 520 | |a What does it mean to live under occupation? How does it shape the culture and identities of European nations? How does it affect the way we write and read literature? These are fundamental questions that set the stage for an in-depth exploration. Focusing on the literary works of writers from various European countries that were occupied by Nazi Germany, the Soviet Union or the Allies during and after World War II, the contributions in this edited volume seek to unravel the complex interplay between historical circumstances and literary expression. Centered on the concept of occupation literature as a genre in its own right, differentiating it from ‘war literature’, the book navigates this subtle distinction, drawing connections with the Holocaust novel and extending the timeframe beyond Nazi occupation. This volume argues that the multifaceted experiences of occupation have played a pivotal role in shaping European identities. Moreover, the volume links European identities to the experience of occupation by unveiling the complex and diverse ways in which writers respond to historical and political circumstances. Introducing the concept of ‘affective realism’ and exploring its intersection with the occupation novel, the book provides nuanced insights into the intricate relationship between history, identity, and literature. It combines theoretical perspectives relevant to researchers in the humanities with detailed case studies, generating a truly interdisciplinary perspective, enriched by a strong transnational dimension, creating a cohesive narrative that intervenes innovatively in the fields of literary, cultural, and historical criticism. | ||
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