Art and modernism in socialist China: unexplored international encounters, 1949-1979

Chile, China, Cuba : a mural and beyond / Shengtian Zheng -- Tan Huamu's pictorial diaries in the era of the new China / Tao Cai -- The Romanian oil painting training class and modernist undercurrents in Chinese art : education of the socialist period / Juliane Noth.

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Bibliographic Details
Other Authors: Kong, Shuyu (Editor) , Andrews, Julia F. (Editor) , Zheng, Shengtian (Editor)
Format: Edited Volume
Language:English
Published: New York London Routledge, Taylor & Francis Group 2024
Series:Routledge research in art history
Volumes / Articles: Show Volumes / Articles.
DOI:10.4324/9781003450535
Subjects:
Online Access:Verlag, lizenzpflichtig: https://www.taylorfrancis.com/books/9781003450535
Resolving-System, lizenzpflichtig: https://doi.org/10.4324/9781003450535
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Author Notes:edited by Shuyu Kong, Julia F. Andrews, and Shengtian Zheng

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505 8 |a Introduction Part I: Art Exchanges 1. Chile, China, Cuba: A Mural and Beyond 2.Realism or Modernism? Exhibitions of SesshÅ" and Sino-Japanese Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in 1962: Misalignments Impacting the Romanian Painting Class in China 4. A Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic Exchanges 6. The Politics of Landscape Painting: Three International Art Exhibitions in 1970s China Part II: Alternative Practices 7. Creating A New Era in the Twentieth Century : Huang Binhong (1865-1955) and Modern Art during the Cold War 8.Tan Huamus Pictorial Diaries in the Era of the New China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese Modernism in the 1960s 12. The Romanian Oil Painting Training Class and Modernist Undercurrents in Chinese Art Education of the Socialist Period Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal OR: The Making of a Maoist Modern 
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