Japanese art: transcultural perspectives
"The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agent...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Dokumenttyp: | Sammelband |
| Sprache: | Englisch |
| Veröffentlicht: |
Leiden Boston
Brill
[2025]
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| Schriftenreihe: | Studies in Asian art and archaeology
volume 29 |
| Volumes / Articles: | Show Volumes / Articles. |
| DOI: | 10.1163/9789004704176 |
| Schlagworte: | |
| Online-Zugang: | Verlag, Zugang für den berechtigten Nutzerkreis des FID, lizenzpflichtig: http://erf.sbb.spk-berlin.de/han/BrillAsiaEBooks/doi.org/10.1163/9789004704176 Resolving-System, lizenzpflichtig: http://dx.doi.org/10.1163/9789004704176 
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| Verfasserangaben: | edited by Melanie Trede, Mio Wakita, Christine M.E. Guth |
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| 505 | 8 | |a A view of the avant-garde from postwar Japanese calligraphy / Eugenia Bogdanova-Kummer -- The world of Mount Sumeru diagrams : representations and discourses / Komine Kazuaki -- Hayashi Tadamasa, art historian, collector, and dealer : negotiating the concept of "fine arts" in Europe and "bijutsu" in Japan / Yamanashi Emiko. | |
| 520 | |a "The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history"-- | ||
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