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|a 2002042678
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|a N6923.B9R34 2003
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|a Reactions to the master
|b Michelangelo's effect on art and artists in the sixteenth century
|c ed. by Francis Ames-Lewis and Paul Joannides
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|a 0302
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|a Aldershot
|a Burlington, Vt.
|b Ashgate Pub
|c 2003
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|a XIV, 271 S
|b zahlr. Ill
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|a Text
|b txt
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|a Literaturverz
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|a Literaturverz. S. 238 - 259
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|a Machine generated contents note: List of figures vIIList of contributors XIII --Introduction -- Paul Joannides and Francis Ames-Lewis -- 1 Raphael's responsiveness to Michelangelo's draughtsmanship 12 -- Francis Ames-Lewis --2 The influence of Michelangelo: Pontormo, Bronzino and Allori 31 -- Elizabeth Pilliod --3 Parmigianino and Michelangelo 53 -- David Ekserdjian --4 Salviati and Michelangelo 68 -- Paul Joannides. --5 Absorption and interpretation: Michelangelo through the eyes of a Venetian follower, Battista Franco 93 -- Anne Varick Lauder --6 The reproduction and publication of Michelangelo's Sacristy: drawings and prints by Franco, Salviati, Naldini and Cort 114 -- Raphael Rosenberg --7 Michelangelo and Marcello Venusti: a case of multiple authorship 137 -- William E. Wallace --8 Alessandro Vittoria: the Michelangelo of Venice? 157 -- Victoria Avery --9 Vasari, Borghini and Michelangelo -- Rick Scorza --10 Michelangelo and Spain: on the dissemination of his draughtsmanship -- Lizzie Boubli -- Bibliography -- Index.
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|i Rezensiert in
|a Joost-Gaugier, Christiane L.
|t [Rezension von: Ames-Lewis, Francis, Reactions to the Master: Michelangelo's Effect on Art and Artists in the Sixteenth Century]
|d 2005
|w (DE-627)1802389024
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|u http://www.loc.gov/catdir/toc/fy041/2002042678.html
|v 2015-09-28
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|k Kunstgeschichte
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