The Chinese cinema book

Introduction: the Coming of Age of Chinese Cinemas Studies / Song Hwee Lim and Julian Ward -- Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies / Chris Berry -- National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / Yingjin Zhang -- Cinem...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Körperschaft: British Film Institute (BerichterstatterIn)
Weitere Verfasser: Lim, Song Hwee (HerausgeberIn) , Ward, Julian (BerichterstatterIn)
Dokumenttyp: Edited Volume
Sprache:Englisch
Veröffentlicht: London [u.a.] Palgrave Macmillan 2011
London British Film Institute 2011
Volumes / Articles: Show Volumes / Articles.
Schlagworte:
Online-Zugang:Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz350150354inh.htm
Cover: https://swbplus.bsz-bw.de/bsz350150354cov.jpg
Volltext
Verfasserangaben:BFI. Ed. by Song Hwee Lim and Julian Ward

MARC

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245 0 4 |a The Chinese cinema book  |c BFI. Ed. by Song Hwee Lim and Julian Ward 
264 1 |a London [u.a.]  |b Palgrave Macmillan  |c 2011 
264 1 |a London  |b British Film Institute  |c 2011 
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505 8 0 |t Introduction: the Coming of Age of Chinese Cinemas Studies  |r Song Hwee Lim and Julian Ward 
505 8 0 |t Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies  |r Chris Berry 
505 8 0 |t National Cinema as Translocal Practice: Reflections on Chinese Film Historiography  |r Yingjin Zhang 
505 8 0 |t Cinemas of the Chinese Diaspora  |r Gina Marchetti 
505 8 0 |t Six Chinese Cinemas in Search of a Historiography  |r Song Hwee Lim 
505 8 0 |t Early Cinema to 1949. Shadow Magic and the Early History of Film Exhibition in China  |r Xuelei Huang and Zhiwei Xiao 
505 8 0 |t The Making of a National Cinema: Shanghai Films of the 1930s  |r Laikwan Pang 
505 8 0 |t Wartime Cinema: Reconfiguration and Border Navigation  |r Yiman Wang 
505 8 0 |t Chinese Film-making on the Eve of the Communist Revolution  |r Paul G. Pickowicz 
505 8 0 |t The Forgotten Period: 1949-80. The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949-66)  |r Julian Ward 
505 8 0 |t Healthy Realism in Taiwan, 1964-80: Film Style, Cultural Policies, and Mandarin Cinema  |r Guo-Juin Hong 
505 8 0 |t The Hong Kong Cantonese Cinema: Emergence, Development and Decline  |r Stephen Teo 
505 8 0 |t The New Waves. The Fifth Generation: a Re-assessment  |r Wendy Larson 
505 8 0 |t Taiwan New Cinema and Its Legacy  |r Tonglin Lu 
505 8 0 |t The Hong Kong New Wave: A Critical Reappraisal  |r Vivian P. Y. Lee 
505 8 0 |t Stars, Auteurs and Genres. Dragons Forever: Chinese Martial Arts Stars  |r Leon Hunt 
505 8 0 |t The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor  |r Kenneth Chan 
505 8 0 |t On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism  |r James Udden 
505 8 0 |t The Urban Generation: Underground and Independent Films from the PRC  |r Jason McGrath 
505 8 0 |t Contemporary Mainstream PRC Cinema  |r Yomi Braester 
505 8 0 |t Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity  |r Anne Ciecko 
505 8 0 |t Afterword: Liquidity of Being  |r Rey Chow. 
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