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|a Seduction and power
|b antiquity in the visual and performing arts
|c ed. by Silke Knippschild ...
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| 250 |
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|a 1. publ.
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| 264 |
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1 |
|a London [u.a.]
|b Bloomsbury
|c 2013
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| 300 |
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|a XVI, 370 S.
|b Ill.
|c 24 cm
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| 336 |
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|a Text
|b txt
|2 rdacontent
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|a ohne Hilfsmittel zu benutzen
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|a Literaturangaben
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| 505 |
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|t Seduction and power: an introduction
|r Marta García Morcillo and Silke KnippschildPower and seduction in Babylon: Verdi's Nabucco / Michael Seymour
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| 505 |
8 |
0 |
|t "Go east young man!" jewel-in-the-bellybutton Orientalism in Oliver Stone's Alexander
|r Lloyd Llewellyn-Jones
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| 505 |
8 |
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|t Modern dance and the seduction of Minoan Crete
|r Nicoletta Momigliano
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| 505 |
8 |
0 |
|t Trojan lovers and warriors: the power of seduction in age of bronze
|r Eric Shanower
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| 505 |
8 |
0 |
|t Dark ladies, bad girls, demon queens. Female power and seduction from Greek tragedy to pop culture
|r Martina Treu
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| 505 |
8 |
0 |
|t The eroticism of power in Jordi Coca's Ifigènia (2009)
|r Maite Clavo
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| 505 |
8 |
0 |
|t "Prince of painters": the grimacing mask of power and seduction in Aristophanes' Assemblywomen
|r Andrea Capra and Maddalena Giovanelli
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| 505 |
8 |
0 |
|t Redefining catharsis in opera: the power of music in Birtwistle's The minotaur and Amargós' Eurídice y los títeres de Caronte
|r Jesús Carruesco and Montserrat Reig
|
| 505 |
8 |
0 |
|t The self in conflict with itself: a heraclitean theme in Eliot's The cocktail party
|r James H. Lesher
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| 505 |
8 |
0 |
|t Three queens: Helen, Penelope, and Dido in Franco Rossi's Odissea and Eneide
|r Martin M. Winkler
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| 505 |
8 |
0 |
|t Claudia quinta and publius cornelius scipio nasica: exempla virtutis in Vienna under Leopold I (1657-1705)
|r Pepa Castillo
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| 505 |
8 |
0 |
|t The stolen seduction: Spartaco, gladiatore della Tracia (Riccardo Freda, Italy 1953)
|r Oscar Lapeña
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| 505 |
8 |
0 |
|t The great seducer: Cleopatra, queen and sex symbol
|r Francisco Pina Polo
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| 505 |
8 |
0 |
|t Seduced, defeated and forever damned: Marc Antony and post-classical imagination
|r Marta García Morcillo
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| 505 |
8 |
0 |
|t Power beyond measure: Caligula, corruption and pop culture
|r Martin Lindner
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| 505 |
8 |
0 |
|t Constantia Memoriae: the reputation of Agrippina the Younger
|r Mary R. McHugh
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| 505 |
8 |
0 |
|t Prostitute, saint, pin-up, revolutionary: the reception of Theodora in 20th-Century Italy
|r Filippo Carlà
|
| 505 |
8 |
0 |
|t The spell of Antinous in Renaissance art: the Jonah statue in Santa Maria del Popolo
|r Rosario Rovira Guardiola
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| 505 |
8 |
0 |
|t History, moral and power: the ancient world in 19th century Spanish history painting
|r Antonio Duplá
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| 505 |
8 |
0 |
|t The lure of the Hermaphrodite in the poetry and painting of the English aesthetes
|r Charlotte Ribeyrol
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| 505 |
8 |
0 |
|t Nude on the Acropolis
|r Constantina Katsari
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| 505 |
8 |
0 |
|t Seduction and power in classical receptions: traditions and trends
|r Silke Knippschild.
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|a Civilization, Ancient, in art
|v Congresses
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|a Seduction in art
|v Congresses
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|a Power (Social sciences) in art
|v Congresses
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|a Civilization, Ancient, in literature
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