Biographische Real-Fiktion als Paradigma narrativer Erklärung

The two categories of »fiction« and »non-fiction« are most often conceived of - and treated as - disjointed and separate, not only in common sense but also in literary studies. This does not adequately reflect, however, the developmental trajectory of the non-fiction genre over the course of the twe...

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Bibliographic Details
Main Author: Groeben, Norbert (Author)
Format: Article (Journal)
Language:English
Published: 9. September 2020
In: Journal of literary theory
Year: 2020, Volume: 14, Issue: 2, Pages: 287-310
ISSN:1862-8990
DOI:10.1515/jlt-2020-2008
Online Access:Verlag, lizenzpflichtig, Volltext: https://doi.org/10.1515/jlt-2020-2008
Verlag, lizenzpflichtig, Volltext: https://www.degruyterbrill.com/document/doi/10.1515/jlt-2020-2008/html
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Author Notes:Norbert Groeben
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Summary:The two categories of »fiction« and »non-fiction« are most often conceived of - and treated as - disjointed and separate, not only in common sense but also in literary studies. This does not adequately reflect, however, the developmental trajectory of the non-fiction genre over the course of the twentieth century. After all, the popularization of expert knowledge has increasingly been effected with the help of narrative strategies which raise one crucial question: Just how much fiction can the factual nature - the dependence on facts - of non-fiction tolerate? However, as the more precise definition of the pertinent term, »fiction«, indicates, a distinction must be made between »fictionality«, on the one hand, and »fictivity«, on the other. »Fictionality«, that is to say, refers to narrative strategies analogous to those of fiction , but which relate to historical facts. »Fictivity«, by contrast, refers to the representation of fictitious content .
Item Description:Gesehen am 19.12.2025
Physical Description:Online Resource
ISSN:1862-8990
DOI:10.1515/jlt-2020-2008